Meaning of “Flower Shops” by ERNEST

Written By Michael Miller

Michael is a music teacher and professional cellist. He loves uncovering the deeper meaning of popular songs.

“Flower Shops” by ERNEST is a melancholic tale of love and loss, illustrated vividly through evocative lyrics. It delves deep into the emotional aftermath of a strained relationship, depicting the narrator’s struggles with substances and his attempts to mend things using flowers as peace offerings. The song seemingly serves as a metaphor for the battle between love and pain, encapsulating the rawness of emotions felt during trying times in a relationship, possibly reflecting a personal experience of ERNEST.

The flower shops symbolize a glimmer of hope amidst despair; a place where one can find solace or a possible remedy to the hurt.

Excited to dive into the hidden layers and intricate details of “Flower Shops” by ERNEST? Stay with us as we unpack the profound meanings and emotions interwoven in this heart-wrenching tale of love, loss, and hope.

“Flower Shops” Lyrics Meaning

The song starts with “It’s a beautiful day, she’s been crying all night,” a stark contrast highlighting the juxtaposition of external beauty and internal pain. The imagery of tears in her blue and bloodshot eyes in the narrator’s introduces us to the aftermath of a fight or a prolonged period of unhappiness.

The line “This bender’s been bending, it’s hell bound to break” portrays the unsustainable nature of the relationship. It seems the couple’s been enduring an emotional rollercoaster, verging on a breaking point, with “My baby’s had all she can take” indicating a surrender from the partner.

The mention of roses, violets, and daisies throughout the song symbolizes attempts to mask or mitigate the “crazy.” ERNEST illustrates how these flowers are used as tools of appeasement, aiming to hide the turmoil and presumably reconcile. The reference to cutting off the thorns before handing over the roses vividly depicts the desire to remove pain from the partner’s life, highlighting a remaining strand of love and care despite the difficulties.

The repeat of “it’s a bad day for love, but a good day for flower shops” forms the chorus, emphasizing the fluctuating dynamics of love and how it ironically benefits the flower shops. This line exemplifies the commerce of emotion, portraying how the miseries of love become the prosperity of another entity, the flower shops, in this case.

Diving into “Well, I took some pills, and she took the dogs,” we see the increasing degradation of the relationship. The pills depict the narrator’s coping mechanism, while her taking the dogs symbolizes her departure and perhaps, her claim to normality or sanity.

“I took up drinking since she took the time to tell me I took the best years of her life” lays bare the rawness and reality of the situation. The blame and regret are almost tangible here, depicting the distress and guilt enveloping the narrator.

Towards the end, “Roses are red, violets are blue, I don’t need one, I need one million to get you” exaggerates the extent of the rupture. It hints at the enormity of the task at hand to restore the lost love, implying that perhaps an overabundance of gestures is needed for reconciliation.

Why Was “Flower Shops” Written?

To grasp the depth of “Flower Shops,” understanding the songwriter’s mindset is crucial. ERNEST might have penned down this song during a period of intense emotional turmoil or reflection. It is plausible that he was experiencing the loss or strain of a significant relationship, given the vivid depiction of sorrow and struggle in the lyrics.

The song’s portrayal of substance use as a coping mechanism points to a battle with inner demons, likely reflecting ERNEST’s state of mind. The consistent theme of attempting reconciliation using flowers as metaphors for peace offerings could be symbolic of his real-life endeavors to mend broken bonds.

In conclusion, “Flower Shops” is more than just a melodious tune; it’s a powerful portrayal of love, loss, and the human condition, enveloped in profound metaphors and sincere emotions, possibly mirroring ERNEST’s own experiences and reflections.