Meaning of “ceilings” by Lizzy McAlpine

Written By Michael Miller

Michael is a music teacher and professional cellist. He loves uncovering the deeper meaning of popular songs.

“Ceilings” by Lizzy McAlpine artfully explores the juxtaposition of fleeting beauty and lasting pain. The song depicts a romantic encounter, soaked in transient joy, set against the inevitable backdrop of parting. It’s about savouring moments and then facing their ephemeral nature. It seemingly revolves around a wishful connection that oscillates between reality and imagination, marked by a series of lovely yet short-lived instances. The rain symbolizes both the refreshing presence of the companion and the impending separation. It’s like a snapshot of an ephemeral connection, a blend of comfort and chaos, that, despite its transient nature, lingers on.

The message seems to be about the dual nature of relationships, balancing sweetness with sorrow and acknowledging that some moments, no matter how fleeting, are worth experiencing. Lizzy crafts this piece with emotional wisdom, possibly reflecting on personal experiences, exploring how intimacy can be both liberating and limiting.

Dive deeper with us as we explore the layers of emotions and intricate symbolism intertwined within this poignant melody.

“Ceilings” Lyrics Meaning

“Ceilings” appears to weave a narrative of ephemeral connection and the bittersweet essence of momentary encounters. The opening lines, “Ceilings, plaster / Can’t you just make it move faster?” seem to depict a desire for time to speed up, possibly due to discomfort or anticipation, all while sharing a seemingly intimate moment with someone.

“Lovely to be sitting here with you / You’re kinda cute but it’s raining harder / My shoes are now full of water,” portrays the juxtaposition of enjoying someone’s company but being aware of the impending and unavoidable separation, symbolized by the incessant rain. The use of the word “lovely” contrasts with the increasingly difficult circumstances, underscoring a theme of finding beauty in transient and imperfect situations.

The subsequent lines, “Then you’re drivin’ me home / And I don’t wanna leave / But I have to go,” accentuate the internal conflict between desire and obligation. The mention of a car ride home hints at the conclusion of their time together and symbolizes the journey of the relationship, with a destination seemingly clear yet reluctantly approached.

The notion of the encounter resembling a familiar movie adds a layer of déjà vu to the experience. “And it feels like the start of a movie I’ve seen before / Before,” signifies a cycle of repetitive, transient relationships, each echoing the last, highlighting the fleeting and repetitive nature of such connections.

The lines, “Bedsheets, no clothes / Touch me like nobody else does / Lovely to just lay here with you,” delve into physical intimacy, illustrating a moment of vulnerability and connection, yet the reluctance to voice thoughts hints at the fear of disturbing the delicate balance of the moment.

The mention of comfort and chaos in the line, “Lovely to sit between comfort and chaos,” resonates with the duality in relationships, interlacing moments of peace with underlying turmoil. It further emphasizes the transient nature of the relationship, culminating in a bittersweet realization and departure.

The realization that the relationship is not real and the other person doesn’t exist suggests a fantasized or idealized connection, possibly a metaphorical representation of unfulfilled desires and unattained connections.

Why Was “Ceilings” Written?

The intricate design of “Ceilings” appears to mirror the complicated essence of human connection. It’s likely that Lizzy was in a contemplative state of mind when penning this song, possibly reflecting on her own experiences or observations. The portrayal of transient joy intertwined with enduring pain suggests a deeper exploration of her internal emotional landscape.

The song seems to emphasize the transient, ephemeral nature of connections and the inevitable parting, perhaps portraying Lizzy’s own encounters with fleeting relationships and the lessons derived from them. It could be a means for her to navigate and process her experiences, share her insights, and connect with others who have traversed similar emotional terrains.

The nuanced portrayal of relationships in “Ceilings” hints at Lizzy’s intention to delve deep into the human psyche, examining the balance between desire and detachment, presence and absence, and the continuous quest for genuine connection in a world filled with fleeting moments.